Reviewed by Elizabeth Klisiewicz
Some may say that recording
an album full of covers is unremarkable, but Shearwater's Jonathan
Meiburg decided to commemorate all the artists his band has toured with
on this new release. I am not sure that's been done before, but it's a
great idea, and he's done a wonderful job on these covers. Starting
delicately with "Our Only Sun" (Jesca Hoop) and merging seamlessly into
the driving rocker "I Luv the Valley Oh!" (Xiu Xiu), Meiburg has
completely transformed and in some cases improved on the original tunes.
Such is the case with Coldplay's "Hurts Like Heaven", which is stripped
down to the bare bones of piano and voice for a good segment of the
song. Instead of Chris Martin's overdone treatise of this tune, Meiburg
uses strings and guitar to transform this into psychedelic heaven.
"Natural One" is quite faithful to the spirit of Lou Barlow's original
tune by his band, Folk Implosion. "Ambiguity" is a lovely, fragile cover
by David Thomas Broughton, performed at a different tempo. Meiburg
plays it straight and keeps it simple and slow, whereas Broughton's
version is married to electronic tomfoolery. I prefer Meiburg's version
by a long measure, because for one thing, he has a better voice than
Broughton and dives into the vocals straight away. "Cheerleader" (St.
Vincent) is a tuneful and well crafted song, and quite different from
Annie Clark's warbly, banjo-strummed tune. It's a great song either way,
but I like the odd swerves and swoops of Clark's version. Clinic's
"Tomorrow" is markedly different, turned from a psychedelic nugget into a
whimsical pop tune. Chris Flemmons from The Baptist Generals does
backing vocals, sounding markedly like Don McGlashan, and I wish he did
more on this song, because he really elevates it above the ordinary.
And then there is my favorite track, "A Wake for the Minotaur", an
original song penned by Meiburg and accompanied by the mesmerizing
Sharon Van Etten. What a voice and talent she has with her smoky alto,
meshing perfectly into this gorgeous folk tune. Wye Oak's "Mary is Mary"
is another standout track, confirming that Shearwater can enter the
folk arena anytime they choose. Meiburg has an instinct for these songs,
and his band is up to the task across the board. They close out the set
with "Fucked Up Life" (The Baptist Generals) which has fantastic
lyrics. All in all, this is a great covers album and well worth picking
up for any Shearwater fans, or anyone who wants an easy introduction to
the band.
Fellow Travelers is available on vinyl, digital and CD.
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