Reviewed by Joseph Kyle
Thrill Jockey
Baltimore's 
Arbouretum has always made big, heavy psych-rock, and with "Coming Out of
 the Fog", they've continued that trend, but they push the boundaries of 
rock without going into heavy jam-out territory, as they have on 
previous records. Thus, the sound of this rather brief album ranges from 
the soft and sublime to the overbearingly heavy. Vocalist Dave Hermann 
has a style that is gritty and raw and haunting, but is, curiously, more
 Peter Murphy than Neil Young. That being the case, Neil Young's Crazy 
Horse is a natural point of comparison, especially on the barbed-wired 
tough "The Promise" and "World Split Open," as the sunburned, stoned 
melodies clearly share DNA with "Zuma" and "Tonight's the Night".
Though 
they can do loud and heavy quite well, they're also masters of subtle 
beauty; "Oceans Don't Sing," is a simple, sorrowful country-blues weeper, and 
when Hermann sings "Everyone says it'll come to an end/Oh, but oceans 
don't sing of impossible things," you believe him.
Better still is the 
title track that closes out the album, a dusty, solemn number that is 
accentuated with sad piano and even sadder pedal steel. It has all the 
power and feel of the end of a tragic western; close your eyes and you 
can easily imagine credits rolling. It's a nice ending, and after the 
rough and heavier moments that preceded it, it's a calming balm. "Coming 
Out of the Fog" is a masterful blend of heavy and soft, and shows that 
the fellows of Arbouretum have quietly become masters of the genre.
Available here on Vinyl  and here on CD.
 
 

 
 
Baltimore is the next big city north of here, maybe there's some chance I will get to see this band live.
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