Reviewed by Joseph Kyle
Thrill Jockey
Baltimore's
Arbouretum has always made big, heavy psych-rock, and with "Coming Out of
the Fog", they've continued that trend, but they push the boundaries of
rock without going into heavy jam-out territory, as they have on
previous records. Thus, the sound of this rather brief album ranges from
the soft and sublime to the overbearingly heavy. Vocalist Dave Hermann
has a style that is gritty and raw and haunting, but is, curiously, more
Peter Murphy than Neil Young. That being the case, Neil Young's Crazy
Horse is a natural point of comparison, especially on the barbed-wired
tough "The Promise" and "World Split Open," as the sunburned, stoned
melodies clearly share DNA with "Zuma" and "Tonight's the Night".
Though
they can do loud and heavy quite well, they're also masters of subtle
beauty; "Oceans Don't Sing," is a simple, sorrowful country-blues weeper, and
when Hermann sings "Everyone says it'll come to an end/Oh, but oceans
don't sing of impossible things," you believe him.
Better still is the
title track that closes out the album, a dusty, solemn number that is
accentuated with sad piano and even sadder pedal steel. It has all the
power and feel of the end of a tragic western; close your eyes and you
can easily imagine credits rolling. It's a nice ending, and after the
rough and heavier moments that preceded it, it's a calming balm. "Coming
Out of the Fog" is a masterful blend of heavy and soft, and shows that
the fellows of Arbouretum have quietly become masters of the genre.
Available here on Vinyl and here on CD.
Baltimore is the next big city north of here, maybe there's some chance I will get to see this band live.
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